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Chucked my Converse

September21

My father has always had a spectrum of Converse Chuck Taylor All-Stars to choose from. A good deal of my childhood memories include low angle views of banana yellow high tops coming my way. Like most kids I wanted to emulate my father and sport the same iconic sneakers, but they never fit.  Always just a little pinch between the toes. Every once in a while I will try on a pair just to be sure and last weekend when I found these… Grey/Red Converse Converse(Photos by me) Beautiful Chuck Taylor low tops, that fit just right.  Unfortunately nothing can be that simple. They fit to well, something must have changed.  Still excited I decided to show them off to my girlfriend and she reminded me “didn’t you say that Nike owns Converse now”.  A few years ago I had learned that Nike bought Converse in 1998 and Sure enough “Made in the U.S.A.” was missing from the heel. Converse All-Star Heel  (Pre Nike Converse Photo by http://flickr.com/people/cava_cava/ used under Creative Commons)My father loves these shoes not just because they are stylish, but because they are made in the U.S.A where workers are treated fairly.   ”Human rights concerns

Nike has been criticized for contracting with factories in countries such as ChinaVietnamIndonesia and Mexico. Vietnam Labour Watch, an activist group, has documented that factories contracted by Nike have violated minimum wage and overtime laws in Vietnam as late as 1996, although Nike claims that this practice has been halted.[16] The company has been subject to much critical coverage of the often poor working conditions and exploitation of cheap overseas labor employed in the free trade zones where their goods are typically manufactured. Sources of this criticism include Naomi Klein’s book No Logo and Michael Moore’s documentaries.

Nike has been criticized about ads which referred to empowering women in the U.S. while engaging in practices in East Asian factories which some felt disempowered women.[17]

During the 1990s, Nike faced criticism for use of child labor in Cambodia and Pakistan as well as Green, Ohio in factories it contracted to manufacture soccer balls. Although Nike took action to curb or at least reduce the practice of child labor, they continue to contract their production to companies that operate in areas where inadequate regulation and monitoring make it hard to ensure that child labor is not being used.[18]

These campaigns have been taken up by many[weasel words] college and universities, especially anti-globalisation groups as well as several anti-sweatshop groups such as theUnited Students Against Sweatshops.[19] Despite these campaigns, however, Nike’s annual revenues have increased from $6.4 billion in 1996 to nearly $17 billion in 2007, according to the company’s annual reports.

A July 2008 investigation by Australian Channel 7 News found a large number of cases involving forced labour in one of the biggest Nike apparel factories. The factory located in Malaysia was filmed by an undercover crew who found instances of squalid living conditions and forced labour. Nike have since stated that they will take corrective action to ensure the continued abuse does not occur. [20]

Following Liu Xiang’s withdrawal from the 2008 Olympics, Nike admitted seeking help from “relevant government departments” in the Chinese government to track down and identify an anonymous Internet poster [21]” http://en.wikipedia.org/wiki/Nike,_Inc.

 

I had conveniently forgotten this when I laced up the chucks that fit so well. After running out of excuses to keep my new kicks, I returned the Nike/Converse Chuck Taylors the next day.

Fortunately chuck low top knock offs manufactured in the U.S.A. are available at http://www.adbusters.org/cultureshop/blackspot/sneakerblack spot classic and No Sweat

at http://nosweatapparel.com/miva/merchant.mv?Screen=CTGY&Category_Code=NSS. Not as many colors, but 40 less dollars for Nike.

 

 

To India and Back part 1

February11

With the HALO project running on Current TV and drawing donations, I accepted another project shooting a documentary in Mumbai, India. I had planned to shoot on the HVX200 in HD, but the camera was pulled from me 4 days before my flight. On January 18th, after receiving a rush shipped DVX100A from Zolita Digital and building a china ball light kit with Chris Overholt, I was on my way to Mumbai. I arrived at the airport around midnight a franticly searched the crowd of unfamiliar faces for Dipti Mehta (a person I had never met). She is a friend of a friend and had invited me to shoot a documentary on Chawls. More to come……

Robo Metro

December2

Mid urinal sprint to the Record Bar restroom Nairba explained that there are only 60 people living in the KC Metro and the rest are robots. This sent me into a crisis reserved for those who have just made a vanity computer purchase on Black Friday. During a consumer guilt driven 11:00pm phone call, Nairba explained he was referring to the feeling that everyone he meets is connected to someone he already knows. This leaves all the surrounding people to be extras or robots placed randomly to fill the scene. (no longer feeling guilty about my white polished piece of marketing bliss) I thought if a lot of extras are only getting a meal and a rolling credit for this life I should make it as interesting as possible.  

This opens a new production chapter.  My flight reservations have been made and I am off to shoot both a short narrative and a documentary in Mumbai, India in early 2008. Currently the plan is to shoot in HD, but I am worried that I might lose the story fidgeting with too much technology.  I will post a separate tech blog on the logistics of this shoot.  Any recommendations on cheap highly portable lighting would be appriciated.

Credits for HALO Current Pod

September25

Hi my Name is Josh Fry.This is the first post for this site.My demo reel page is www.fryflux.comThank you to everyone who helped me along the way.This project means a great deal to me and I am honored that it will reach so many people on Current TV. www.current.com/items/88816503_art_saves_orphans   Equipment:

Zolita Digital - Camera and audio

Chris Overholt - Built home brew battery operated lights

Dan Locke - Camera and 4 batteries

Hanuman Brown-Eagle - Reflector and rain guard

Kyle Hamrick - Tripod

Cody Donelson - Photographer’s vest

Music:

Explosions in the Sky

America Crew:

Collin Martin - DP for clay globe

Adam Martin - Grip for clay globe

Tony Ontiveros - Board Break-a-thon Camera Op

Mike Athey - Board Break-a-thon Camera Op

Josh Fry - Board Break-a-thon Camera Op

Josh Fry - Director and animator for clay globe

Kenya Crew:

Josh Fry - Producer/Director/Shooter

Rebecca Neuenswander - Producer

Kristin Vogel - Still Photographer

Art Direction:

Leena Phadke - Clay globe concept and construction

Chris Wright - Mechanics consultant

Josh Fry - Clay globe concept and construction

Sponsor Producers:

Howard Johnson

Bert McGuire

Freda McGuire

Penny Fry

Larry Fry

Bob Fry

Elma Fry

David Washington

Post-Production:

Josh Fry - Editor

Special Thanks:

Telos Studios - Web Host

Jerry Daniels - Kenya Host

Sherry Daniels - Kenya Host

Stephen Ngunjiri Kariuki - Timau Host

Keneth Maina - Fixer/Driver

John Kenya - Translator